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Álvaro

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Álvaro is a meditation on memory and perseverance in the midst of personal and communal change. As seasons pass, 75-year-old Brooklyn resident Álvaro Brandon traces a quotidian path between the vacant lots of his community in order to feed 40 stray cats. While he navigates changes in his neighborhood and in his relationship with his wife as she succumbs to Alzheimer’s Disease, his routine assumes Sisyphean proportions, suggesting, alongside his unwavering generosity, a deeper search for present meaning in the face of an impossible future.

Daniel Wilson is a multiple media artist, expanding filmmaking practices into performance, written word, digital publications, and installations. Wilson’s work has been exhibited at galleries and festivals internationally, including Bunkier Sztuki in Kraków, Broadway Media Center in Nottingham, The European Independent Film Festival in Paris, culturaDigital in Rio de Janeiro, and the Copenhagen Art Festival, MoMA PS1 and the DUMBO Arts Festival. He was a co-founder of the one-year pop-up non-profit artspace MMX in Berlin during 2010. Wilson has been supported by the Ontario Arts Council, the National Film Board of Canada, GRAND NCE and the Canada Council for the Arts.

Elizabeth Delaune Warren is a Brooklyn based filmmaker, teacher, and activist. She is currently producing a feature length documentary and teaching filmmaking and media literacy throughout New York City. Elizabeth is a founding member of the nonprofit FILMMAKERS without BORDERS and holds an MA in International Affairs with an emphasis in Media and Culture from The New School.

Alexandra Lazarowich is a Brooklyn-based filmmaker originally from Canada. She makes films concerning the conditions of the lives of Aboriginal people in today’s world. With a background in history studies and being a descendant of the Cree people, she is currently researching a film about the effects of colonization on the Aboriginal people and their culture.

Chloe Zimmerman is an artist, filmmaker and educator whose interest lies in the experimental documentary realm. Based in New York, she teaches film history and practice at various venues in the city, including Mono No Aware and the Museum of the Moving Image. Creatively, she is interested in the ways in which we make meaning and tell stories — from the intimate to the national to the cosmological. Chloe was a 2013-14 UnionDocs Collaborative Fellow, and is a graduate of the Combined Degree Program between Tufts University and the School of the Museum of Fine Arts.

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